Technology In Invisible Man And Hollow Man Film Studies Essay

Technology In concealed homophile beings And roar domain Film Studies EssayThe classic 1933 consider The invisible military man based on a science fiction apologue by H G Wells of the similar name is a story which follows the life and demise of Dr. Jack griffin as he battles psychological and physical proceeds of an invisibility drug while nerve-wracking to find a cure to return him to normal visibility. The flick was order by James Whale and starring Claude Rains and is considered to be one of the greatest of a series of guides called the Universal horror pips produced in the Golden period 1930s of the Universal Studios. The inconspicuous Man was a phenomenal success, condescension being realised during the Great Depression, and produced several sequels. The success of the pip to a fault launched the c beer of leading fraud Claude Rains. moil Man released in the course of study 2000, Director by Paul Verhoeven and starting Elisabeth Shue Kevin Bacon is the y discoerhful day equivalent to a fault inspired by H. G. Wells The unseeyn Man A scientist develops a serum which renders the flesh of some(prenominal) living life human body undetect opened. After testing the serum on a variety of disparate animals he decides to inflict it upon himself unless after efforts to return him to permanent visibility fail he and his colleagues struggle to find a cure forwards the mental repercussions take their toll.Despite being inspired and based on H.G Wells original novel, although based in different eras, two films conceal many paralleling sequences depicting the various elements of the invisible instances different states. Some learn examples of this drop be actualizen when the character turns from totally visible to invisible or visa versa. Some clippings an invisible character is wearing visible habilitate and face clothes which interact with other cast members and the environment in shot. both(prenominal) films helped push the bo undaries of the special issueants available in their respective eras and presented untested and exciting challenges to the special put artist in charge of producing them and it is these effect with hind end be credit to the susses of both films.John P. Fulton and Frank D. Williams are the men directly responsible for creating the ground breaking effects seen in the The Invisible Man film. On the 23th of July 1916 F. D. Williams filed a US patent authorize Method of Taking Motion Pictures which detailed a method of fetching motion pictures, and is especially accommodate to produce a picture demonstrate two or more objects in relative positions in which they stick non really been placed(F. D. Williams, 1916. Method of taking motion pictures. U.S. Pat.1,273,435)This address was utilise and adapted as a base to create the bulk of effects which illustrated a partly clothed or bandaged invisible character in the film. To achieve these effect sequences Rains or a forked w ore a tight fitting down(p) velvet suit underneath any clothes which were to remain visible moving somewhat the scene. The actors military operation was then take on a mysterious velvet solid ground a second digestground plate was filmed and a triplex exposure was then used to seamlessly combine the two shoots together, this resulted in the black elements from the number one shot, the valet suit and backdrop being replaced by the background film in the second shoot. This is a very early magnetic declination of an effect forthwith know as commonalty concealment, in modern times an array of different colours, most commonly one thousand, blue and black are used depending on the backdrop and the colour of other elements in the scene for example if the screen is green heavy or an actors dress includes green, a blue backdrop can be used.After the film was finished Fulton admitted the most difficult shot to achieve of the entire film was when the invisible man is seen to un wrap the bandages from around his head in lie of a reverberate. To create this sequences four different takes where used of the actor removing the bandages but with different parts of the set masked in black velvet. The first take was used to captor the surrounding walls and mirrors frame but the mirror glass was masked pop out so it could be captured separately in the second take, the third was of the actors back unwrapping the bandages and the fourth of the actor performing the same unwrapping action but from the front. Each take needed to match in perceptive and view rank to enable them to be merged together into a single shoot.(Now you see himThe Invisible man revealed, 2004. DVD. regular army Universal Studios)A parallel can be draw to this sequence in Hollow Man when efforts to restore the invisible scientist Sebastian Caine philandered by Kevin Bacon fail. His colleges make the ratiocination to create Sebastian a synthetic face mask by pouring liquid latex paint over h is head to help give him a visible presents.There was a lot of discussion about what had been make before in invisible man movies and Paul was very bear on we did not repeat all been done before Alec Gillis(Fleshing out the savvy man, 2007. DVD. capital of the United Kingdom Sony Pictures Home Entertainment)In the Hollow Man special features The Mask, gobbler Woodruff, Jr. from Amalgamated says our main drive was coming up with more or lessthing that looked interchangeable Kevin Bacon but as well looked like some crudely constructed mask(Fleshing out the prod man, 2007. DVD. London Sony Pictures Home Entertainment)The choice to use a latex mask molded to the actors face did indeed make bacon more identifiable to the audience which dose help supercharge ground the entire effect. remote The Invisible Man where bandages are wrapped around Rains head, disguising his characteristic features to the situation where it could be anyone and inevitably allowing the director to cas t doubles in some shots which is noticeable due to the double being taller than rains.To a achieve the effect of liquid latex being poured and conforming around the actors face which would ostensibly to appear out of thin air, The actors face was covered in green body paint which was later digital removed from the plate passing only the latex. According to Alec Gills from Amalgamated Dynamics and Jonathan Erland of Composite Components, experts in green screen technology, a new type of body paint was certain which was used to actively turn Bacon into a walking green screen which in its self was a major maturation to allow the actor to be painted out of many scenes in the film. Many golosh guidelines had to be followed in its creation, the paint had to be durable as comfortably as being safe for actor Bacon to wear during the busy enter schedule. Green vacuum formed pieces of plastic were placed over the actors eye to help protect them from scissors while eye holes were cut in to the mask they also helped in the masking out of Bacons actual to allow the compound of a 3D generated model of the inside of the latex mask to tending the illusion of a hollow interior.(Now you see himThe Invisible man revealed, 2004. DVD. USA Universal Studios)Turning Bacon into his walking green screen state connotet he was able to physically act out all of his scenes even if he was in a fully indivisible state in the film because of high tech digital tv camera used in the enter were able to record their own movements, after a take was filmed the camera was able to automatically re-film the empty background set on the dot based on the pre-recorded tilt pitch and pan data, because this generated an exact facsimile plate make the job of digital removal of Bacon far easier, this in turn allowed the cinematographer to create much more dynamic and kindle camera moves. This also provided bacons fellow actors a precise focus point in a scene which as something just not mathema tical in The Invisible Man as camera had to remain unchanging and Rain was filmed on at black ground and composited back into the sequence later. Filming Bacon in the scene also supplied the special effects aggroup with a great animatic and sparkle reference to match any CG elements to.A second paralleling sequence amid the two films can be seen when the main character passes between the states of visible to invisible. In Hollow Man after developing and successfully testing an invisibility serum on animal subjects, Sebastian decides to take his experiments to the next level, a human trail by inject himself with the serum which triggers the dramatic vicissitude to invisibility, although in reverse this effect sequence is also used in the last scene of The Invisible Man when of Dr. Jack griffin dies the invisibility which has plaged him thought out the film final wears off and his body becomes visible throw death.As Griffin fiance phytology sits down beside his bed the camera c hanges to an Answering Shoot, a proficiency used to show dialogue between two characters. The camera is moved to look over Floras left shoulder, although we the audience start to watch Griffins voice speak his last words we can see Flora is until now in fact looking at a hollow night garment tucked up in bed and an purpose in the pillow where Griffins head ought to be. In this shoot the night shirt is seen subtly rising and falling to indicate breathing but this has not been animated in keeping with the words we can hear Griffin speaking.After a brief snug-up shot of Flora, the camera cuts back to a close up of Griffins imprint in the bed. Almost immediately the transformation takes place and this is the first time in the film the audience see Rains face and after a slow plan back the film ends.This was done directly in the camera, the pillow, the indentation and all was made of daub and the blankets and sheets of papier-mch, a slow long lap dissolve revealed a skeleton in th e closet, a real by the way another lap dissolve replaced the skeleton with a roughly sculpted dummy which suggested the contours of the actor and a further series of dissolves each time using a slightly more finished dummy brought us to the real actor himself John P Fulton DVD commentary.(The Invisible man, DVD 2004. DVD. USA Universal Studios)The potential enigma with using this technique of layering full frames is if any other supposedly still object moves thought out any of frames the in the scene this testament becomes very obvious. This is most notable when the corner of the bed sheet moves between the skull and full face transition. In contrast Hollow man is able to utilise many modern techniques for this transformation from visible to invisibility, most notably computer graphics.In the equivalent scene actor Kevin Bacon character obviously dissolve away multiple different layers of human anatomy effectively dissolve from one layer to the next. His skin gives way to the layers of muscles, tendons, internal organs and eventually only an animated skeleton left thrashing around on the table for a short period before it as well disappears. A scene only made possible by today standards by continually pushing the boundaries of computer graphics.Another thing that made it more difficult for us was the actual occur of data and amount of geometry we had to push though are system, we had to buy better and faster computers to actually handle it Scott Stokdyk, Digital Effects Supervisor(Fleshing out the hollow man, 2007. DVD. London Sony Pictures Home Entertainment)This was a necessary step in the case of Hollow Man as unlike other CG characters generated for feature films which only drive modelling the outer skin of a character, the team at Sony had to go to great lengths to produce all the different individual internal elements of the human body to achieve this effect sequence.Before work on the CG character could begin preliminary research into human an atomy was carried out by the team who looked out medical journals and the work of Dr.Gunther von Hagens who painted a technique for preserving human tissue with polymer which is used in the Body Works exhibitions. The team then started RD testing ways of adding animated controls to models of the human body capable of simulating not only the overall human body movements but also controlling all the individual elements that comprise of the human body. After Kevin Bacon was selected to play the lead role full body cyber scans were generated to match the 3D example which allowed modelling supervisor Wayne Kennedy and the team to match his likeness as close as possible as .But While modelling techniques were still being developed the arising problems meant a separate department, pushing software development and plug-in creation. Modern films produced with digital technology arent as restrictive as in the analogue period, new software can be custom create verbally for a specific task. T he production team worked with Maya to accomplish the majority of 3D work used in the film as another service of the digital workflow, meant custom tools built for the studios pervious film Stuart Little were adapted and applied where needed to Hollow man.(Shay,E., 2000. Hollow Man Disappearing Act.Cinefex,83, 111)(more pictures to be added)(conclusion be rewritten)Although there have only been two scenes discussed, many parallels can be drawn between the two films, in the way the audiences contradict to them, and the effects used. Although due mostly to technological and creative advancement, there are also many differences in how the effects were achieved. One thing can be said for both films though, at the time of their release both films were at the cutting of technology. Keeping the audiences at the edge of their seats in true horror fashion.The Invisible Man used many of the original techniques, which became the basis for modern cinema and would evolve and go on to be used i n Hollow Man almost seven decennarys later. Techniques much(prenominal) as the Williams process or travelling mattes as they are also known. These processes would go on to become green and blue screen techniques used in todays film industry.Like many of the horror classics from the analogue period, The Invisible Man has become very dated. The effects were believable at its time of release they have become less so as the long time have gone by. In some scenes the effects are repose comical in execution by todays standards. The techniques used were also not fool proof, even at the time of production. The use of different lighting set ups used to achieve some composited effects, caused instances of ghosting where the set was visible through with(predicate) the character. These factors have lead to the film becoming less convincing as the years have passed.The same advancement in technologies, has also meant that films such as Hollow Man could be produced reaching new levels of rea lism. securely putting audiences back in the grasps of fear. It took the team at Sony Picture Imageworks over 2 years to create the visual effects used in Hollow Man with the vast development of computers, plugins and software advancements. The finished result keeps Hollow Man on par with films being released a decade later. With further developments in technology and computer generated imagery, it can only mean bigger, better things to come. Keeping audiences on the edge of their seats.Sussce of film made 7 moreRefs(The Invisible man, DVD 2004. DVD. USA Universal Studios)(Now you see himThe Invisible man revealed, 2004. DVD. USA Universal Studios)(Shay,E., 2000. Hollow Man Disappearing Act.Cinefex,83, 111)(Fleshing out the hollow man, 2007. DVD. London Sony Pictures Home Entertainment)(F. D. Williams, 1916. Method of taking motion pictures. U.S. Pat.1,273,435)Rickitt, R., 2000. particular(prenominal) Effects the history and technique. London Virgin Bookshttp//en.wikipedia.org/wik i/The_Invisible_Man_%28film%29http//en.wikipedia.org/wiki/Hollow_ManHollow Man http//www.imdb.com/title/tt0164052/